workshop seat

February 28, 2015

 

There is a March seat open in the AFW online screenwriting workshop: AFW: 5150: An Online International Screenwriting Workshop http://ow.ly/JsaiZ

5150_bunny

 

one week left

January 6, 2015

One week left to register for —

AFW January classes. If you want one of these seats, hit us at http://theafw.com and reserve your seat now.

 

Screen shot 2014-12-28 at 11.51.52 AM Screen shot 2014-12-28 at 11.54.10 AM Screen shot 2014-12-28 at 11.56.12 AM

last classes of the year

November 3, 2014

 

Ohyez, there are November classes. Structural Writing and Dynamic Writing are the last two online master classes in screenwriting of the year. Grab your seat now or you will be out in the cold till 2015.

Dynamic Writing 11.11.14

Structural Writing 11.11.14

november max classes

September 28, 2014

Max AFW Classes November 2014

Yes is it that time again when I announce stuff like November classes around the corner. Structural Writing and Dynamic Writing are on the horizon. I only teach Structural Writing once a year so if you want to hit that puppy before the year 2015, now is the time to sign up. See you there.

:::COURSES @ THE AFW:::

 

Oh yez, hot September classes are right around the corner. You should all go sign up for them right now.

Academy of Film Writing September Classes 2014:  The Sex Scene

Academy of Film Writing September Classes 2014: High Concept Writing

Academy of Film Writing September Classes 2014: The Art of the Pitch

 

now playing on wordplay

July 23, 2013

 

I am a guest on Wordplay stop by and hit the Scripts forum to chat about the biz end of film writing.

Wordplay Screen shot  PM

 

sick twisted bastards

September 11, 2012

 

I had this —

Sick twisted bastard of a yoga instructor tonight.  I swear this guy used to reign over the Fifth Circle of Hell but he was too rough on people so they cast him out and he ended up at my yoga studio.  He didn’t just make us do terrible hard things, he made jokes while he was doing it and laughed because he knew how hard the things he was making us do were.

After I limped home and was licking my wounds thinking how damn hard that session was, and thinking, Yeah, but you’ll go back to that guy’s class, damn him, because no matter how hard it was, it was good —

It occurred to me that is quite possibly how my students think about me.  I’m not easy.  My classes are hard.  Some of them extremely hard.  I know it.  And I make jokes.  They are not mean or derogatory jokes, they are basically saying, Yeah, I feel your pain, but you still have to get that knee over that left ear so let’s go.  But they are still jokes.

There is a shirt, “I Survived Max Adams’ Structural Writing.” That shirt totally started out as a joke.  Except —

People who finish Structural Writing buy that shirt.  It’s not a joke any more.  That shirt has turned into some sort of medal of honor.

My students come back.  But after tonight, I wonder if it is maybe for a different reason than I used to think.  Damn.  I’m the sick twisted bastard instructor.

How did THAT happen?

Excuse me now, I have to go soak in a tub of hot water.

 


*If you do not recognize the image above, it is from Legend, Tim Curry plays a great sick twisted bastard.

*Structural Writing is only open to people who have taken previous AFW classes so don’t get all het up and try to jump in there first — I won’t let you — go look at other classes.  Like High Concept Writing and The Art of the Pitch.  Those are both coming up in a week and are good precursors.

 

pitch frenzy

September 5, 2012

 

So here —

Is how this is going to go down.

[It always goes down like this.]

I have these two classes opening September 18th.

One is The Art of the Pitch. That’s about learning how to pitch a story so you don’t soil yourself in front of a crowd of spectators.

The other is High Concept Writing. That’s how to work on a story concept so it isn’t the first thing that popped into your head that felt clever at 2 AM on a Friday night with a few beers in you — and you just never got around to maybe bringing it up a notch — before tossing months of your life into the sand pit with it.

Both those classes start September 18th and run through October. Right about the time people start showing up at the Austin Film Festival and pitching ideas in the big pitch rally at Austin Film Festival that sounds like a gauntlet to me but I have never watched it in person because it is just too painful to me to watch people crash and burn like that.

What will invariably happen is right about the time these classes are coming to an end, someone [or several someone’s] will email me in a panic, getting geared up for the pitch event at AFF, and want me to drop everything and leap to help [with no time to do it in] with a pitch –- most likely on a concept that wasn’t thought out all that well before starting the script in the first place.

And I’ll say, Look, I teach a class on this, Why didn’t you take the class? That would have given you five to six weeks to work on the pitch with me before this came up. Or better yet, to work on the story so you had a story worth pitching here? Now you’ve got three days, who do you think I am, Anne Sullivan?

[Even Anne Sullivan got more than three days.]

And they won’t have a good answer.

Don’t be one of those people. Go sign up for the pitch class.

 



Two January classes, The Art of the Pitch and Visual Writing, start January 10th.

There are a couple seats left if you act fast:

 


VISUAL WRITING

Begins January 10, 2012

Visual Writing | Putting Vision Back Into Viewing | Online 6 Week Master Course | Start Date : 01.10.12 |

MAKE YOUR READERS “SEE” YOUR MOVIE: You will learn how to use the visual elements space, light, and texture to create locations and scenes readers can “see”; how to establish and utilize perspective in scenes and sequences to make a script visually dynamic; how to create and utilize perspective; techniques to make characters visually dynamic and “real” for readers; techniques to juxtapose exterior and interior visuals to create visually dynamic motion and space on the film screen; and more….

Instructor | Max Adams

Reading Material | supplied in class forum & library. Some outside material is linked to.

Viewing Materials | posted or available via Netflix, iTunes, YouTube or your friendly neighborhood video rental.

Weekly Chats | Thursday nights | 8 PM EST.

class seating limit : 12 | a writing sample may be requested prior to acceptance | a course deposit is required for this class
course fee : $375 |

REGISTER TODAY – SEATING IS LIMITED

more info : CLASSES

 


THE ART OF THE PITCH

Begins January 10, 2012

The Art of the Pitch | Pitching Stripped of the Nonsense | Online 6 Week Master Course | Start Date: 01.10.12 |

GET READ AND SELL: You will learn the five essential elements your pitch must contain to sell to producers and studios; the two pitch models; action driven vs. character driven pitching; the six points an elevator pitch must contain to interest a potential buyer — and what an elevator pitch is; how to open; how to close; how to use your story’s turning points to make your story compelling; when film comparisons work — and when they don’t; how to address the specific concerns of different members of the entertainment industry; and how to condense and expand your pitch to take advantage of new pitching opportunities and mediums.

Instructor | Max Adams

Reading Material | supplied in class forum & library. Some outside material is linked to.

Viewing Materials | posted or available via Netflix, iTunes, YouTube or your friendly neighborhood video rental.

Weekly Chats | Thursday nights | 9 PM EST.

class seating limit : 12 | a writing sample may be requested prior to acceptance | a course deposit is required for this class
course fee : $375 |

REGISTER TODAY – SEATING IS LIMITED

more info : CLASSES

 


MARCH CLASSES

Two classes are coming in March 2012, High Concept Writing and Character Writing.

March classes begin March 13th.

•For more info on upcoming classes visit CLASSES.

 

 

 

 

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